http://www.ldnbru.com LDN/BRU Mon, 09 May 2011 19:54:00 +0000 http://www.ldnbru.com en http://www.ldnbru.com/AMASS http://www.ldnbru.com/following/ldnbru.com/AMASS Mon, 09 May 2011 19:54:00 +0000 LDN/BRU 1419064 AMASS: TOWARDS AN ECONOMY OF THE COMMONS Saturday, 16 April 2011 Chisenhale Gallery 64 Chisenhale Road, London E3 5QZ <img src="http://payload.cargocollective.com/1/2/64580/1419064/AMASS_logo.jpg" border="0" width="350" height="361" width_o="350" height_o="361" src_o="http://payload.cargocollective.com/1/2/64580/1419064/AMASS_logo_o.jpg" align="left" /> To speak of the commons as if it were a natural resource is misleading at best and dangerous at worst—the commons is an activity and, if anything, it expresses relationships in society that are inseparable from relations to nature. It might be better to keep the word as a verb, an activity, rather than as a noun, a substantive. – Peter Linebaugh (2008) In the face of mass cuts to public services (particularly to arts and education), emerging forms of governance rampantly colonising intellectual resources in the digital domain, the privatisation of public space in urban development, and new narratives of the Big Society in the UK, what does the commons mean for us today? How can we approach a new protocol for the commons under such circumstances? AMASS is an open conference that invites organisations, collectives and individuals working in the cultural sector to discuss past experiences, present practices, and future ambitions concerning mutual aid, pooled knowledge, networked infrastructures and modes of self-organisation. Through examining these varying perspectives concerning the commons, AMASS aims to address four key themes: Open Source: A way of working that is free from individual concern and notions of property in a process of shared learning. Sustainability: As a collaborative, and socially minded endeavour, rather than self-reliance or preservation. Self-organisation: What meaningful self-organisation manifests through artists’ informal working methods. Precarious Labour: How to protect the rights of creative workers in an increasing atmosphere of insecurity and unpredictability. Through these exchanges we wish to collectively investigate our strategies, successes, and failures, considering the obstacles and potentialities for the development of the commons. Following the event, all materials will be collated into an open online archive, which will serve as a generative research database for future endeavours. <img src="http://payload.cargocollective.com/1/2/64580/1419064/5643784228_c25bc45b72.jpg" border="0" width="500" height="375" width_o="500" height_o="375" src_o="http://payload.cargocollective.com/1/2/64580/1419064/5643784228_c25bc45b72_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/1419064/5643210479_1b010b99aa.jpg" border="0" width="500" height="375" width_o="500" height_o="375" src_o="http://payload.cargocollective.com/1/2/64580/1419064/5643210479_1b010b99aa_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/1419064/5643207839_cb55dc437a.jpg" border="0" width="500" height="375" width_o="500" height_o="375" src_o="http://payload.cargocollective.com/1/2/64580/1419064/5643207839_cb55dc437a_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/1419064/5643220909_66746a3251.jpg" border="0" width="500" height="375" width_o="500" height_o="375" src_o="http://payload.cargocollective.com/1/2/64580/1419064/5643220909_66746a3251_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/1419064/5643214337_1dee77e4bd.jpg" border="0" width="500" height="375" width_o="500" height_o="375" src_o="http://payload.cargocollective.com/1/2/64580/1419064/5643214337_1dee77e4bd_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/1419064/5643790984_df829f2a57.jpg" border="0" width="500" height="375" width_o="500" height_o="375" src_o="http://payload.cargocollective.com/1/2/64580/1419064/5643790984_df829f2a57_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/1419064/5643993766_c5ba39a1ed.jpg" border="0" width="500" height="375" width_o="500" height_o="375" src_o="http://payload.cargocollective.com/1/2/64580/1419064/5643993766_c5ba39a1ed_o.jpg" align="left" /> Schedule: 1:30 – 2:00 – Tea, coffee and bagels 2:00 – 2:30 – Introduction to the commons (Stevphen Shukaitis) 2:30 – 3:15 – Amateurist Network (Eva Weinmayr and Sion Whellens) 3:15 – 3:30 – Break 3:30 – 4:15 – …ment (Anthony Illes and University for Strategic Optimism) 4:15 – 4:30 – Break 4:30 – 5:15 – DOXA (collected cases, interviews, and open analysis) 5:15: Closing – Please join us for a drink and networking Contributors to AMASS include: Stevphen Shukaitis is a lecturer at the University of Essex and a member of the Autonomedia editorial collective. He is the author of Imaginal Machines: Autonomy & Self-Organization in the Revolutions of Everyday Day (2009, Autonomedia) and editor (with Erika Biddle and David Graeber) of Constituent Imagination: Militant Investigations // Collective Theorization (AK Press, 2007). His research focuses on the emergence of collective imagination in social movements and the changing compositions of cultural and artistic labor. Eva Weinmayr is an artist, lecturer and co-director of AND, a new platform for experimental publishing. AND’s current activities include the Piracy Book Project producing new collections for the Byam Shaw Library. Recent and upcoming exhibitions by Weinmayr include The Cult of The Difficult 2011; The Institute of Mental Health Is Burning Newport Museum and Art Gallery 2011. http://www.andpublishing.org/ Sion Whellens is Client Services Director at Calverts, a common ownership worker co-operative. He also works in co-operative development, particularly within the creative and cultural, arts and communications fields and is an elected member of the UK Co-operative Council and a Director of Co-operatives UK. http://www.calverts.coop/ Anthony Iles is a contributing editor to online and quarterly print magazine, Mute, http://metamute.org. He is also Co-editor with Mattin of the recent book Noise & Capitalism, San Sebastian: Arteleku, 2009 and co-author with Josephine Berry Slater of No Room to Move: radical art and the regenerate city, published by Mute in October 2010. He writes on the instrumentalised role of culture within the current stage of ‘culture-led urban regeneration’, and notions of the ‘Creative City’ in global economics and policy. The University for Strategic Optimism is a political and cultural activist group based in London who has been organizing various actions, lectures and disruptive activities in the public space following the drastic cuts of the public sector in England. The group promotes a fairer access to public education whilst offering an alternative based on the principle of free and open education. AMASS is organised by: DOXA is an international research collective of artists, theorists, designers, architects, and engineers. Through an on-going project called ‘Creative Space’, DOXA facilitates cross-disciplinary dialogue through open discussions to generate research and approach new practices and visions of culture for the future. DOXA (δόξα) is a common belief, as opposed to knowledge, and is associated with community, dialogue and truth. More: http://www.doxacollective.org Without a manifesto or definitive constitution the Amateurist Network foregrounds talking as a self-sustaining currency. Through a series of collective discussions it aims to strengthen the impulse to self-organise across disciplines, and furthermore to assert the rights of workers operating with this radically open or precarious approach. More: http://amateuristnetwork.wordpress.com …ment, a new online journal for contemporary culture, art and politics based in London and Berlin. Through a multi-disciplinary set of editorial forms, the journal aims to reflect on current societal issues and debates. …ment acts as a field for enquiry, dialogue and experimentation, and is committed to emerging forms and ideas. More: http://www.journalment.org ...ment works in close collaboration with LDN/BRU and shares the same support network. The event is supported by Openvizor, an international organisation and platform that initiates and supports critical exchange of ideas in arts and cultural practice and the active development by practitioners of partnerships and projects around the world that engage people, places and the forces of change from the ground up. More: http://www.openvizor.com http://www.ldnbru.com/BLOG http://www.ldnbru.com/following/ldnbru.com/BLOG Sun, 08 May 2011 13:47:16 +0000 LDN/BRU 1413736 http://www.ldnbru.com/Cadi-Helene-Rowlands-VAUDEVILLE http://www.ldnbru.com/following/ldnbru.com/Cadi-Helene-Rowlands-VAUDEVILLE Wed, 01 Dec 2010 17:30:13 +0000 LDN/BRU 823784 2-3-4 October 2009, 105 Besme, Brussels <img src="http://i145.photobucket.com/albums/r219/benytto86/VaudevillePostcard_1_High_Res-1.jpg" border="0" alt="Photobucket"> Camp sees everything in quotation marks. It's not a lamp, but a "lamp"; not a woman, but a "woman." - Susan Sontag, 1964 For her first show in belgium, British artist Cadi Hélène Rowlands transformed the domestic space of 105 Besme into a 'Vaudeville'-style theatre installation, creating a susension between appearance abd reality. In a site-specific approach, Rowlands playfully articulates and stages notions of the domestic condition. Theatricality is an intrinsic part of the creation of Rowlands' practice. She works within ideas of the staged, of exaggeration, of artifice and the unnatural. These concerns manifest themselves in her sculptural pieces through the use of unconventional and improper materials to represent everyday objects, - extravagant in content and rich in form. Rowlands' work makes conscious attempts at being superficial and ostentatious and addresses her fascination with taste, kitsch and camp. In her essay Notes on Camp, Susan Sontag writes that “camp sees everything in quotation marks”, turning, for instance, a lamp into a ‘lamp’. It is these quotation marks that the artist attempts in her practice. Rowlands plays with the theatricality of everyday life and mass or popular culture, working with the idea that everything, even society itself, is artifice. Her work also points out the gendering of mass culture as feminine and inferior. This three day installation was accompanied by a performance by Matthew Stock during the opening of the show on Friday 2 October evening. Stock - whose practice explores the relationship between the artist, the art work, the audience and the environment - attended the opening with a hidden CCTV camera hidden in his suit. A live feed of the event was then transmited into the space of the train station, humoursly questioning the borders between public and private sphere. <img src="http://payload.cargocollective.com/1/2/64580/823784/4_500.jpg" border="0" width="500" height="375" width_o="2048" height_o="1536" src_o="http://payload.cargocollective.com/1/2/64580/823784/4_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/823784/Cadi-chandelier-2007.jpeg" border="0" width="371" height="480" width_o="371" height_o="480" src_o="http://payload.cargocollective.com/1/2/64580/823784/Cadi-chandelier-2007_o.jpeg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/823784/6_500.JPG" border="0" width="500" height="375" width_o="2048" height_o="1536" src_o="http://payload.cargocollective.com/1/2/64580/823784/6_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/823784/7_500.JPG" border="0" width="500" height="375" width_o="2048" height_o="1536" src_o="http://payload.cargocollective.com/1/2/64580/823784/7_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/823784/12_500.jpg" border="0" width="500" height="375" width_o="2048" height_o="1536" src_o="http://payload.cargocollective.com/1/2/64580/823784/12_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/823784/1_500.jpg" border="0" width="500" height="666" width_o="2048" height_o="2730" src_o="http://payload.cargocollective.com/1/2/64580/823784/1_o.jpg" align="left" /> A co-production of 105 Besme & LDN/BRU Supported by the British Council & the commune of Forest/Vorst Contact 105 Besme: tania.nasielski@scarlet.be http://www.ldnbru.com/LDN-BRU-1 http://www.ldnbru.com/following/ldnbru.com/LDN-BRU-1 Wed, 01 Dec 2010 15:25:51 +0000 LDN/BRU 810054 2-3-4 October 2009, Congrès Station, Brussels <img src="http://i145.photobucket.com/albums/r219/benytto86/4005847511_0dd15a84f8_b.jpg" border="0" alt="Photobucket"> The reduction of distances has become a strategic reality bearing incalculable economic and political consequences, since it corresponds to the negation of space. - Paul Virilio, 1977 For its first event, LDN/BRU turned the space of Congrès Station - a train station in use in the center of Brussels - into an experimental arena. Presenting a series of arts projects, performances, discursive and social activities, this event saw over thirty artists, cultural workers, musicians and theorists sharing and performing ideas on contemporary modes of cultural production, urban regeneration and the so-called 'creative city'. In partnership with the third edition BRXLBRAVO Art Festival and Nuits Blanches, LDN/BRU 1 aimed at gathering a group of practitioners based in Brussels and London in order to encourage the exchanging of ideas. Through its multi-disciplinary programme, the project explored current debates on creative entrepreneurship, culture lead regeneration, speed and the use of the public space. Various artistic and site-specific manifestations and installations took place in the station, turning the location into a constantly transforming, dislocating 'non-space'. Contributing artists: Nadine Hilbert & Gast Bouschet (w/ Josiah Wolf of WHY?), Matthew Stock, Moustache Collectif, Helen Turner, Steve Jakobs, Jean-Baptiste Biche, Rhiannon Hunter, Patrick Staff, Andrea Poulieva, Sarah Cross, Claire 'Rafferty de Viliers' Carroll, Howard & the Urban Foxes Panel Discussion "Breakthrough Cities: How cities can mobilise creativity and knowledge to tackle compelling social challenges": John Hutnyk (Goldsmiths, University of London), Monika Dziêgielewska-Geitz (British Council, Creative Cities project), Henri Simons (former deputy Mayor of Brussels in Urbanism and Culture), Lissa Kinnaer (Co-ordinator Réseau des Arts à Bruxelles) This show was held in conjunction with Vaudeville, a video installation by Cadi-Hélène Rowlands at the gallery-flat 105 Besme, Brussels. With the support of the British Council Click here to see the full programme and artists biographies. <img src="http://payload.cargocollective.com/1/2/64580/810054/4005938411_f0081483ea_b_500.jpg" border="0" width="500" height="332" width_o="1024" height_o="680" src_o="http://payload.cargocollective.com/1/2/64580/810054/4005938411_f0081483ea_b_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/810054/4006724644_e1a9dbe07d_b_500.jpg" border="0" width="500" height="332" width_o="1024" height_o="680" src_o="http://payload.cargocollective.com/1/2/64580/810054/4006724644_e1a9dbe07d_b_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/810054/4005962151_2ed29b2350_b_500.jpg" border="0" width="500" height="332" width_o="1024" height_o="680" src_o="http://payload.cargocollective.com/1/2/64580/810054/4005962151_2ed29b2350_b_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/810054/4005987985_c48f45a1ab_b_500.jpg" border="0" width="500" height="332" width_o="1024" height_o="680" src_o="http://payload.cargocollective.com/1/2/64580/810054/4005987985_c48f45a1ab_b_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/810054/4006657364_c8e61f8aee_b_500.jpg" border="0" width="500" height="332" width_o="1024" height_o="680" src_o="http://payload.cargocollective.com/1/2/64580/810054/4006657364_c8e61f8aee_b_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/810054/4006091265_7b40e4835f_b_500.jpg" border="0" width="500" height="332" width_o="1024" height_o="680" src_o="http://payload.cargocollective.com/1/2/64580/810054/4006091265_7b40e4835f_b_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/810054/4006004733_5c154b9f0a_b_500.jpg" border="0" width="500" height="332" width_o="1024" height_o="680" src_o="http://payload.cargocollective.com/1/2/64580/810054/4006004733_5c154b9f0a_b_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/810054/4006921538_b63b359641_b_500.jpg" border="0" width="500" height="332" width_o="1024" height_o="680" src_o="http://payload.cargocollective.com/1/2/64580/810054/4006921538_b63b359641_b_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/810054/4006631864_00b843fc67_b_500.jpg" border="0" width="500" height="332" width_o="1024" height_o="680" src_o="http://payload.cargocollective.com/1/2/64580/810054/4006631864_00b843fc67_b_o.jpg" align="left" /> Photos by Dan J. Spinney http://www.ldnbru.com/BORDER-REVERB http://www.ldnbru.com/following/ldnbru.com/BORDER-REVERB Wed, 10 Nov 2010 21:47:58 +0000 LDN/BRU 768051 Intervention 8-13 June 2010, Skup Palet & Röda Sten, in conjunction with Clandestino Festival, Gothenburg <img src="http://payload.cargocollective.com/1/2/64580/768051/BR-Poster-nologo_500.jpg" border="0" width="500" height="432" width_o="1191" height_o="1031" src_o="http://payload.cargocollective.com/1/2/64580/768051/BR-Poster-nologo_o.jpg" align="left" /> Soon after LDN/BRU's first event in Brussels in October 2009, the collective was invited to work with (Creative Practices) Beyond Borders network and the Centre for Cultural Studies at Goldsmiths to develop BORDER INFECTION, an engaging series of workshops, debates and performances along with an art exhibition, held at Goldsmiths and the Amersham Arms (London) in March 2010. Following to that, LDN/BRU was invited to contribute to BORDER REVERB in Gothenburg, Sweden, part of the Beyond Border's series of events that worked with the themes of borders, activism and the arts. The workshops, panels and presentations offered challenges to restrictive immigration laws and practices and the ways they intersect with creativity, performance and artistic and musical opposition. Border Reverb included keynote presentations by Eyal Weizman, Julian Henriques, Abhijit Roy and Ranjan Chakravorty and began with a special evening on Tuesday, 8 June, with Gayatri Chakravorty Spivak in conversation with John Hutnyk. On this occasion, LDN/BRU presented a collection of videos - from documented performances to artist's films - by international artists, in the context of Clandestino Festival. Accompanied by multimedia installations and a live performance by Helen Turner, the intervention functioned as a response to the themes of the reunion, investigating issues and limitations surrounding human flows, surveillance culture, ownership and the distinction between private and public sphere. Contributing artists: Raul Gschrey, Moustache Collectif, Helen Turner, Ashley Wong Curated by Benoît Loiseau & Joanna Figiel Click here to download the press release with artists information Click here to see the full programme Short documentary video by Raul Gschrey <img src="http://payload.cargocollective.com/1/2/64580/768051/100_0684_500.JPG" border="0" width="500" height="281" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/2/64580/768051/100_0684_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768051/100_0691_500.JPG" border="0" width="500" height="281" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/2/64580/768051/100_0691_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768051/100_0694_500.JPG" border="0" width="500" height="281" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/2/64580/768051/100_0694_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768051/100_0714_500.JPG" border="0" width="500" height="281" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/2/64580/768051/100_0714_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768051/100_0730_500.JPG" border="0" width="500" height="281" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/2/64580/768051/100_0730_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768051/100_0665_500.JPG" border="0" width="500" height="281" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/2/64580/768051/100_0665_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768051/100_0706_500.JPG" border="0" width="500" height="281" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/2/64580/768051/100_0706_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768051/100_0774_500.JPG" border="0" width="500" height="375" width_o="2048" height_o="1536" src_o="http://payload.cargocollective.com/1/2/64580/768051/100_0774_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768051/100_0787_500.jpg" border="0" width="500" height="666" width_o="1944" height_o="2592" src_o="http://payload.cargocollective.com/1/2/64580/768051/100_0787_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768051/100_0800_500.JPG" border="0" width="500" height="375" width_o="2048" height_o="1536" src_o="http://payload.cargocollective.com/1/2/64580/768051/100_0800_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768051/30457_407584202760_503437760_4314289_765494_n_500.jpg" border="0" width="500" height="332" width_o="604" height_o="402" src_o="http://payload.cargocollective.com/1/2/64580/768051/30457_407584202760_503437760_4314289_765494_n_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768051/100_0809_500.JPG" border="0" width="500" height="375" width_o="2048" height_o="1536" src_o="http://payload.cargocollective.com/1/2/64580/768051/100_0809_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768051/13431_407928482760_503437760_4323099_1214770_n_500.jpg" border="0" width="500" height="332" width_o="604" height_o="402" src_o="http://payload.cargocollective.com/1/2/64580/768051/13431_407928482760_503437760_4323099_1214770_n_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768051/100_0660_500.JPG" border="0" width="500" height="281" width_o="1920" height_o="1080" src_o="http://payload.cargocollective.com/1/2/64580/768051/100_0660_o.JPG" align="left" /> Photos by Raul Gschrey and Benoit Loiseau http://www.ldnbru.com/BORDER-INFECTION http://www.ldnbru.com/following/ldnbru.com/BORDER-INFECTION Wed, 10 Nov 2010 21:47:48 +0000 LDN/BRU 768162 22-26 March 2010, Goldsmiths, New Cross, London <img src="http://payload.cargocollective.com/1/2/64580/768162/poster-nologo.jpg" border="0" width="400" height="347" width_o="400" height_o="347" src_o="http://payload.cargocollective.com/1/2/64580/768162/poster-nologo_o.jpg" align="left" /> BORDER INFECTION was the result of an ongoing collaboration between Creative Practices Beyond Borders (Centre for Cultural Studies, Goldsmiths, University of London) and LDN/BRU that originated from a shared enthusiasm for questioning and transgressing creative, cultural and geographical boundaries. Creative Practices Beyond Borders is a network that engages with creative practices across a number of borders, in geographical, conceptual, disciplinary and genre terms. The project investigates questions of media change, social mobility and creative mobility. CPBB looks at sound, film, theatre and art practices as focal points for debates about border crossings, trans-nationalism and border activism. For this event, LDN/BRU contributed in the form of an exhibition which brought together a group of international artists. Exploring issues and limitations surrounding urban and city narratives, as well as ownership and dislocation, the show includes multimedia installations, videos and performances. The exhibition and live performance worked in conjunction with a series of workshops and discursive events held at the Amersham Arms in New Cross, London, lead by John Hutnyk. Guest speakers included Angela Mitropolous, Vivek Bald and Lindsay Crisp. Artists: Raul Gschrey, Nicolas Sauret & Ashley Wong, Moustache Collectif, Helen Turner Curated by Benoit Loiseau & Jo Figiel Supported by the Centre for Cultural Studies, Goldsmiths, University of London Funded by AHRC Click here for the full programme <img src="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089425217_857650216_11626442_1592489_n_500.jpg" border="0" width="500" height="333" width_o="720" height_o="480" src_o="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089425217_857650216_11626442_1592489_n_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089440217_857650216_11626444_6215750_n_500.jpg" border="0" width="500" height="358" width_o="720" height_o="516" src_o="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089440217_857650216_11626444_6215750_n_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089450217_857650216_11626445_800304_n_500.jpg" border="0" width="500" height="334" width_o="720" height_o="482" src_o="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089450217_857650216_11626445_800304_n_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089490217_857650216_11626453_1550723_n_500.jpg" border="0" width="500" height="334" width_o="720" height_o="482" src_o="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089490217_857650216_11626453_1550723_n_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089500217_857650216_11626455_1953446_n_500.jpg" border="0" width="500" height="322" width_o="720" height_o="465" src_o="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089500217_857650216_11626455_1953446_n_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089505217_857650216_11626456_5487418_n_500.jpg" border="0" width="500" height="334" width_o="720" height_o="482" src_o="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089505217_857650216_11626456_5487418_n_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089510217_857650216_11626457_7046928_n_500.jpg" border="0" width="500" height="304" width_o="720" height_o="438" src_o="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089510217_857650216_11626457_7046928_n_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089520217_857650216_11626459_3652560_n_500.jpg" border="0" width="500" height="310" width_o="720" height_o="447" src_o="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089520217_857650216_11626459_3652560_n_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089540217_857650216_11626461_7796672_n_500.jpg" border="0" width="500" height="334" width_o="720" height_o="482" src_o="http://payload.cargocollective.com/1/2/64580/768162/24851_10150164089540217_857650216_11626461_7796672_n_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/64580/768162/BI-AliceDeWrangel-Untitled_500.jpg" border="0" width="500" height="374" width_o="604" height_o="452" src_o="http://payload.cargocollective.com/1/2/64580/768162/BI-AliceDeWrangel-Untitled_o.jpg" align="left" /> Photos by Chris Collier